The images made are the registry of a space that’s in transition between the “natural” and
the “artificial”, where the concrete meets the primitive rock of the location. Its “normal” non-
state of use allows in closer shots to intensify that junction/transition of the “artificial” with
the “natural”, of the architect’s design, marked by the use of concrete, with the “primitive
design” of the rocks. In wider shots the pools become “camouflaged”.